Saturday, November 30, 2019

Van Gogh Alive in Manila

I learned about Van Gogh Alive a while back on social media. This multi-sensory experience displays many of Vincent Van Gogh's paintings on massive screens. I thought it must be amazing to see it in person so when I saw the news that this traveling exhibition was coming to Manila, I got tickets on the first day.


It wasn't smooth sailing though. Tickets were being sold via the Mind Museum website which I think wasn't set up to handle a huge amount of online traffic. Tickets are for 1.5 hour slots and there is a limit to the number of tickets sold per slot. I was trying to get Saturday tickets but it seemed everyone else had the same idea. On multiple instances, I was booking tickets but at the point of check-out, I got an error only to find out the slot I was trying to get tickets for was already sold out. It took me several attempts and rejections in more than two hours before I finally got tickets!


This multi-media spectacle makes use of the SENSORY4™ system which was developed by Grande Exhibitions. It "combines multichannel motion graphics, cinema quality surround sound, and up to forty high-definition projectors to provide one of the most exciting multiscreen environments in the world."


The show is about 40 minutes long which means that it gets played twice during each 1.5 hour slot. The space is quite small and the screens aren't too big so during the first run, guests have to sit down to watch (there are a few benches at the venue but most people sat on the carpeted floor).


However, at the onset of the second run, guests are told they can now roam freely and start taking pictures with the displays. I expected more chaos as people angled to take selfies but it wasn't bad. People seemed to be quite mindful of the fact that almost everyone wanted to take pictures so no one really took too long during photo ops.


Of course, I made sure that we got a photo of The Starry Night, which is arguably Van Gogh's most popular and most celebrated painting.


Towards the end of our slot, my mom and I stepped back out into the receiving area to see and read a bit more about some of Van Gogh's paintings that were featured in the show. There was also a replica of Van Gogh's Bedroom in Arles at the entrance so we naturally had to take a picture there too. :)


I was told by a friend that Van Gogh Alive tickets seem to be sold out in the remainder of its Manila run so I'm glad that I got tickets early. If you already have tickets and will be seeing the show, you might also want to get a souvenir program. At P750, it's not cheap but it has a lot of really good photographs of Van Gogh's work and a lot of information about his art and his life. I personally think it is worth it.


I've seen photos and videos of Van Gogh Alive in other countries where the venue and the screens are much bigger, allowing guests to roam around freely and giving them a much more immersive experience. That said, my mom and I still thought the Manila run was highly stimulating and very enjoyable. It isn't easy or affordable to go to another country just to experience this so I'm really grateful that Van Gogh Alive made its way to Manila.

Tuesday, November 26, 2019

Sing

I've been doing a lot of singing recently, mostly in karaoke places and each time, to celebrate a friend's birthday. For Mitch's birthday, my high school and college friends went to Centerstage along Jupiter Street in Makati. We hadn't been to a karaoke place in a few years so it was great that we got to do this again as a group. One highlight for me that evening was being able to add a new song to my karaoke repertoire: Calum Scott's version of the Robyn original, Dancing On My Own. Iona actually put that song in the queue and when it came up, I told her I really liked that song. She then said she actually put it on so that I could sing it. Apart from the fact that I love this song, I discovered that the song is in my range.

My board game friends and I also visited karaoke places twice in the last two months. First, we went to Celebrity Lounge along Shaw Boulevard for Niki's birthday. We ran through a whole lot of songs and when our time was up, there were still songs in our queue LOL. Unfortunately for us, while Celebrity has really good food and a solid karaoke playlist, it doesn't have songs from The Greatest Showman. So for Karen's birthday, we went to Rockstar KTV because I mentioned that Rockstar has many of the songs we didn't get to sing in Celebrity. True enough, when in Rockstar, we sang This Is Me, A Million Dreams, Never Enough, and Rewrite The Stars. I added another new song to my repertoire that night: Someone You Loved by Lewis Capaldi. I discovered this song recently and I've been listening to it religiously on Spotify. I haven't heard it on the radio yet though so I was massively surprised to see it in the Rockstar KTV playlist. I also previously thought that I didn't have the range to sing this song but apparently, I do (at least when I'm having a good day, vocally). Myna asked me what the title of this song was and she immediately added it to her Spotify playlist. Cool. :)

Aside from karaoke, I also had a singing gig at a wedding. KC and Jon got married a few weeks ago and I performed many songs that evening together with Ricci who accompanied me on guitar. Our set list was made up of about 20 songs from the 1990s and 2000s and Ricci and I had to rehearse a few times to make sure we were ready. A lot of the songs were not exactly wedding-appropriate but KC and Jon really liked them so I had to do a spiel at the start of our set to say that the set list was prepared by the couple and it included songs that had value to them, either individually or after they got together.. What was cool about this was that I got to sing many songs that I had never previously performed for a crowd, including John Mayer's Your Body is a Wonderland, Kamikazee's Narda, and Rivermaya's Hinahanap-Hanap Kita.

I'm supposed to sing at another wedding in a couple of weeks. It's been a while since I've done this so it's quite interesting that as 2019 comes to a close, I'm getting to put on my wedding singer hat again.

Saturday, November 16, 2019

Nadal Clinches Year-end #1 Ranking

Congratulations to Rafa Nadal for securing the year-end #1 ranking!




I wasn't sure this was going to happen. Novak Djokovic looked to be comfortably on top of the ATP Rankings after Wimbledon and at that point, many were thinking he would win the US Open as well. As it turned out, Nadal won the US Open - his second major and fourth title of the year - to put him in the lead of the ATP Race. Rafa had a slim lead over Novak leading to the ATP Finals this week and with Djokovic being eliminated before the semifinals after losses to Dominic Thiem and Roger Federer, Rafa was guaranteed to end the year at the top of the ATP rankings.

This is the fifth time that Nadal is the year-end #1, tying him with Roger Federer, Novak Djokovic, and Jimmy Connos. (Pete Sampras, who ended the year #1 six times, hold the men's record). At 33, he is the oldest player to end the year #1. He's also the first person to achieve this five times in 5 non-consecutive years (he was previously year-end number one in 2008, 2010, 2013, and 2017).

Unfortunately, Rafa was also eliminated from the ATP Finals. He had a 2-1 win-loss record in his round-robin matches, which would normally be enough to move forward to the semifinals. Unfortunately, Andre Zverev and Stefanos Tsitsipas also had with 2-1 win-loss records but they both had better set quotients so they moved forward instead. Still, 2019 has been a spectacular year for Rafa and his fans.

Congratulations Rafa for achieving your fifth year-end #1 ranking and good luck in 2020!

Monday, November 11, 2019

The Sound of Silence by Disturbed

I discovered this cover version of The Sound of Silence by Disturbed when it was being played in a karaoke bar I visited recently. I was so blown away by it that I asked one of the personnel which artist was performing this cover. Check it out here:


video uploaded in youtube by Disturbed

This version is very different from the original by Simon and Garfunkel but it does it absolute justice. The vocals of David Draiman are intense and powerful and the arrangement is dark and evocative. I've added this song to my Spotify playlist and I've been listening to it ever since.